This story doesn’t follow the formula that I so often see in romance novels, where four people come together as an immediate whole.
And now Love Unlimited is here, in all of its messy glory. I thought I was ready to write Love Limits and bring them all together, then stalled out for almost a year before I realized that Zhong and Ash needed their own book, because their relationship was perfect and essential on its own. It took me a long time to figure out who Dustin and Landon were, and even longer to figure out that they wouldn’t be complete without Zhong and Ash.
I wrote Love Language in about a week, an exhilarating flow of words that filled the pages almost like magic. To avoid rights issues with Marvel Studios, the helicarrier for Deadpool was designed to be "as different as possible from the one in The Avengers.The road to this book has been as long and tumultuous a journey for me as I think it has been for my characters. Setting the final sequence on the wrecked helicarrier was Tim Miller's idea, to help expand the scope of the third act and include more connections to the comics and wider Marvel Universe. Negasonic's abilities were the only "supernatural effect-sy thing" in the film, and were based on fuel-air explosives and solar flares to try ground them in reality. The different vendors all collaborated for the final battle sequence, which takes place in the wreckage of a helicarrier: Luma created the climactic fight between Deadpool and Ajax DD created the majority of the Colossus effects, except for when he is damaged later on, which was handled by Blur Studio DD also created the effects for Negasonic Teenage Warhead's abilities as well as expanding the helicarrier's deck Rodeo contributed matte paintings for the background and Weta provided the facial animation for Deadpool.
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